Vidar Kristensen's music is so well structured — and it feels genuinely good to play.
Yejin Gil, concert pianist
Vidar Kristensen is a Norwegian composer whose work is shaped by a deep connection to Taiwan, East Asia, and the musical traditions of South‑East Asia. His music blends cultural influences with a distinct personal voice, creating vivid contrasts and colourful musical landscapes that invite both performers and listeners into rich, imaginative worlds.
One of the most beautiful and peaceful endings I know of.
Alexander Baillie, cellist
A selection of works
Voyage II for Flute, Cello and Piano (2019)
Voyage II is an evocative piece, inspired by both Indonesian gamelan and Japanese music, as well as the composer's own musical language, taking the listeners through colourful musical landscapes.
Dark, Dark Sky for Solo Viola (2020)
A solo work inspired by the Taiwanese song 天黑黑, blending evocations of naturial soundscapes with a personal reinterpretation of the melody.
Sonata for Flute and Piano (2004)
This is an early work, stylistically different from the composer’s later output. It is a vivid, energetic and virtuosic sonata where dialogue, contrast and rhythmic drive shape a three‑movement musical journey.