This catalogue reflects central strands of my compositional practice: an interest in resonance, instrumental physicality and the meeting point between gesture and sound. The works span solo pieces, chamber music in various constellations and concertante forms, with each category highlighting a different facet of my musical language.

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One major aspect of a lot of my music is to draw on impressions from different musical cultures — including East/South-East Asian traditions, like gamelan and Japanese music, Middle Eastern modal inflections and Scandinavian folk elements — absorbed into a personal contemporary language rather than treated as direct quotation.